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I get the metaphorical vibe in the first verse on death, but a literal vibe in the last verse about her death. As in, she is dead to everyone? It would make sense literally and metaphorically then I guess, considering she sees herself as this completely impermanent entity.


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If so, the song is a little more morbid than I originally thought, but either way I have to agree with the other comment— curious and rather depressing lyrics. General Comment There are two main characters in this song, the narrator "me" and the listener "you". The first verse establishes a relationship between the two.

The lyrics play on the word "know", which has a double meaning of interpersonal knowledge and "carnal knowledge", i.

Oh How i Love The Name

The verse suggests that the listener can spend the night with the narrator, but she is unwilling or unable to form a more permanent connection. The next two verses are somewhat ambiguous but seem to be contrasting the narrator with other women. Other women may bring riches, loving words, family -- the narrator will only bring pain. This almost seems like the narrator is warning the listener about herself.


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  • She will come into his life and then leave him with only the wind on the hill to remember her. He may find other women who look like her, but they won't be the same. The last two verses seem to concern the narrator's fate. Again, she places herself in context with other women: Some will die for money, some will die as rich or poor as they were born.

    Some will claim to be willing to die for love, although the implication seems to be that this may not be true when put to the test. Some women "die every morn", perhaps referring to the metaphorical death of lovers who must separate in the morning. The narrator feels that she'll die alone, among strangers, and buried in a nameless grave.

    Overall the narrator seems to be a woman who feels alienated or outcast from society.

    No other Name I know - Eben

    She offers the listener a chance of brief intimacy but warns him that she will ultimately bring him heartache, because she is fated to remain alone, unknown, and unnamed. My Interpretation Some further reflections on this song The song seems to be playing with the connection between speech and truth, name and identity. The narrator seems to mistrust speech, which can easily lie -- for example, girls who say "I love you" or swear they'll die for love.

    Suggest a Verse

    Instead of a name, the narrator is known in other ways throughout the song: first by firelight, a bed, and a night together, then later by the wind on the hill after she leaves, and finally by a stone on her grave. Names are related to social identity, as a name connects someone to family, cultural heritage, past history, etc. The narrator's lack of a name thus symbolizes her disconnection from her past, her roots, and society in general. But through this disconnection the narrator gains freedom from traditional social and gender roles, as highlighted by the comparisons to more materialistic and domestic women in the second and fourth verses.

    It's clear the narrator feels disconnected from society but there is some ambivalence in her attitude about it. Although she seems to lament her fate in the last verse, she doesn't seem to envy the other women she mentions.

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    Salvation in No Other Name

    Does she intentionally reject society, has this disconnection occurred inadvertently due to her innate character, or has she been unwillingly cut off from society by others? Perhaps some combination of all three. Rate These Lyrics. Refrain: Sweet name, dear name, There's no other name like Jesus; Sweet name, dear name, There's no other name like Jesus. Source: Christ in Song: for all religious services nearly one thousand best gospel hymns, new and old with responsive scripture readings Rev.

    Belden Belden was born in Battle Creek, Michigan in He began writing music in his late teenage years after moving to California with his family.

    Other Translations

    For health reasons he later moved to Colorado. He returned to Battle Creek with his wife in the early s, and there he became involved in Adventist Church publishing. Belden wrote many hymn tunes, gospel songs, and related texts in the early years of the Seventh-day Adventist Church. Belden was able to rapidly write both music and poetry together which enabled him to write a song to fit a sermon while it was still being delivered.

    By Any Other Name

    Contact us Advertisements. Skip to main content. Home Page. There's no other name like Jesus.


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